← Back To All Posts
Date:
June 25, 2020

Netflix: Back 2 Censoring the Future

Flying DeLoreans, stolen plutonium, and pornographic magazines might seem like classic tropes from an episode of the adult animated science fiction sitcom , "Rick and Morty." But those images are from the 1985 film, "Back to the Future." The 1980s was an interesting time, particularly for movie goers. Are you hungry? You can have bowls of monkey brains for lunch in "Indiana Jones And the Temple of Doom." Do you enjoy animated musicals? Check out Jessica Rabbit's sensual performance in "Who Framed Roger Rabbit?" Are you looking for love? I hear ghosts are giving oral sex in "Ghostbusters." By today's age ratings standards, it's shocking these films were featured in theaters with a PG rating. Back then, audiences had a much different perspective on what they considered lewd and offensive.

Younger generations are getting a 'taste' of that perspective as content streaming platforms present older programming. Consider Millennials watching "Tropic Thunder" and, for the first time, witnessing blackface. Robert Downey Jr. plays Kirk Lazarus: a white actor, playing an Australian actor, playing a black man. They might find it difficult to know what to think: is it a brilliant satirical take on Hollywood hubris or extremely insensitive and offensive? "Tropic Thunder" cannot be broadcast on TV without heavy censorship. Enter Netflix- it's a no-brainer for it to present films and programs from years' past. However, when Netflix acquired the licensing rights for the "Back to the Future" Trilogy, it caught flak from consumers who spotted a revision to the cult classic's second installment.

Omitting or including additional content after a theatrical release is common practice for most studios. Consider 1995's gangster classic "Casino" with 422 f-bombsand several other contentious scenes not appropriate for television airplay. When audiences watch "Casino" on TV, the experience is more comical than an episode of "Golden Girls." It just doesn't translate well. Disney rereleased 2018's "Deadpool 2" back in theaters as "Once Upon a Deadpool" with a PG-13 rating and featuring 20 minutes of completely new footage, though it is a censored version. Unrated versions or director's cuts can be released alongside the theatrical version to appease audiences who crave racy content. Similarly, Netflix gives its subscribers the option to see the 2015 theatrical release, "The Hateful Eight" orthe extended, four-part mini-series version.

"Back to the Future 2" fans voiced concerns over social media about an omitted scene. Marty McFly sneaks into Mr. Strickland's office to acquire Biff Tannen's confiscated Sports Almanac magazine from the future. After locating the magazine, the scene cuts to Marty rifling through the pages, only to realize the Sports Almanac had been swapped with Biff's smut magazine titled "Oh L√° L√°." Netflix released a cut of the film which omitted footage showing the cover of the magazine but left in the other pages of women exposing themselves.

Jason Ingolfsland's article claims "Back to the Future 2" was edited by Netflix and released for the U.S. on its streaming platform. More recently, Philip Palermo states that Netflix swapped out a censored version of the film after fans and screenwriter Bob Gale noticed the change. Gale expressed his discontent to The Hollywood Reporter asserting that the version available on Netflix was "a foreign version which neither director Robert Zemeckis nor I even knew existed, for some country that had a problem with the "Oh L√° L√°" magazine cover." Gale insisted he asked Universal Pictures to destroy that version of the film but doesn't blame Netflix. He continues "the issue stems from the version Universal supplied to Netflix, rather than the streaming company actively trying to alter the film."

In fact, Netflix doesn't edit films it receives from studios, and only streams content made available to them; they're essentially "blameless." Gale suggests fans focus frustration at Universal Studios. Thankfully, "Back to the Future" fans can rejoice as Netflix added the unaltered original version of the film back onto its platform. Though Netflix has not released an official statement or commented on the matter. In the future, Biff won't need to hide the pages of his Oh L√° L√° magazine from Mr. Strickland, he'll just swipe right on Tinder.

Related Insights

NAB 2025 – Recognizing a Changed Industry

Another National Association of Broadcasters (NAB) conference is in the books, and if anything has changed in the media and entertainment industry, the conference and attendees were there to discuss it. From content evolution to changes in audience preferences to AI being everywhere, to trade uncertainty, it was a topic of conversation at NAB 2025. Official categories included: Artificial Intelligence, Cloud Virtualization, Creator Economy, Sports, and Streaming. If a general conclusion could be drawn, it’s that the legacy media business no longer cuts in today’s market, and to survive these new realities, businesses must rethink how they fit in.

Everything Is Changing

One of the biggest takeaways from NAB is the impact the creator economy is having on the industry. Dozens of panels focused on how individuals and small-team productions have upended traditional business models and economics, attracting large audiences from traditional producers while also siphoning away ad revenues and production contracts. Recognizing this trend, hundreds of exhibitors demonstrated how their products or services support all types of creators while also providing benefits to traditional media companies. The NAB also introduced two new initiatives to support this growing sector: the Creator Council and the Creator Lab.

In a keynote session, media cartographer Evan Shapiro highlighted the extent of the shift, pointing out that by 2027, the creator economy is expected to grow to half a trillion dollars, nearly doubling its value from last year ($250 million). Shapiro, recognizing the difference between the creator economy and influencers, cites their effectiveness in attracting and engaging large audiences without having to deal with “gatekeeper-led content.” His final point was that this new reality presents the M&E industry with two options: embrace it or get left behind.

Market and Regulatory Uncertainty

The current uncertainty in global trade markets and the impact of tariffs on product purchases has cast a significant chill on many exhibitors at NAB. This was especially true for those companies whose products were manufactured or included parts from impacted countries or markets (services are not yet subject to tariffs). Many companies encouraged customers to expedite purchases to take advantage of existing inventories and avoid significant cost increases as tariffs are implemented. Attendees and speakers also expressed concerns about how regulatory changes from the FCC and regulators in other countries might impact  children's television programming, the news distortion policy, technical rules (e.g., ATSC 3.0), and TV carriage rules (e.g., non-duplication, and syndicated exclusivity).

Monetization Evolves as Markets Evolve

The continued growth of OTT/FAST and the rapidly expanding creator economy means competition for eyeballs and ads will only become more intense. Evidence of this was on clear display during NAB 2025:

  • Traditional Broadcast Disruption: The rise of streaming services and changing viewer habits are challenging traditional broadcast models, necessitating a reimagining of revenue strategies.
  • Fragmented Audiences: The audience is increasingly fragmented across linear streaming, on-demand platforms, and traditional broadcast, making it more difficult for advertisers to reach consumers effectively.
  • Hybrid Models: Streaming services are increasingly adopting hybrid monetization models, such as AVOD or FAST, to supplement their subscription revenues.

A key component of all of these strategies is high-fidelity metadata. Without it, content marketing, search, and discovery, as well as contextual advertising, are much more difficult to achieve. With it, compliance, brand safety, and audience acceptance increase significantly.

AI Everywhere

Artificial Intelligence (AI) and its increasing impact on content creation, marketing, and virtual production were everywhere at NAB 2025. Nearly 300 exhibiting companies from around the world demonstrated products that included or were enhanced by AI across every phase of content production, marketing, advertising, and distribution. Among them, Spherex highlighted its flagship product, SpherexAI, and demonstrated how it is transforming global video compliance and contextual advertising through scene-level intelligence and cultural insight. It also facilitates ad placement where they will resonate and yield better audience results.

The takeaways from NAB 2025 paint a clear picture: the media and entertainment landscape is in constant flux, demanding adaptability and innovation for survival. The undeniable surge of the creator economy, coupled with market and regulatory uncertainties and the evolving monetization models driven by streaming, presents both challenges and opportunities for traditional and new players. Overlaying all of this is the pervasive influence of artificial intelligence, poised to reshape every facet of the industry.

Ultimately, NAB 2025 underscored a fundamental truth: standing still is no longer an option. The future of media and entertainment belongs to those who embrace change, leverage new technologies, and understand the shifting dynamics of both content creation and audience engagement.

Read Now

Experience SpherexAI at NAB 2025

Spherex is headed to Las Vegas for NAB 2025, and we’re bringing a bold new expansion of our flagship product, SpherexAI. Join us at Booth W1456 in the West Hall of the Las Vegas Convention Center from April 6-9 to see how we’re transforming contextual advertising with cultural and emotional intelligence.

As the media and advertising industries look to AI for smarter targeting and better brand alignment, SpherexAI offers a groundbreaking solution. By analyzing the cultural and emotional context of streaming video at the scene level, SpherexAI helps advertisers engage audiences more meaningfully while reducing the risk of misaligned or unsafe ad placements.

The Power of Scene-Level Intelligence

At the heart of our advertising innovation is SpherexAI’s multimodal platform, which processes thousands of signals from every frame—visuals, audio, dialogue, and on-screen text—to create rich metadata that understands the tone, mood, and narrative context of video content.

This deep, scene-level intelligence powers a range of capabilities that can dramatically improve campaign effectiveness:

  • Smarter Ad Targeting – Ads are delivered when viewers are most emotionally receptive, based on the precise tone and content of each scene.
  • Seamless Integration – Ads align with the story arc instead of disrupting it, increasing both engagement and recall.
  • Cultural Sensitivity at Scale – Our patented Cultural Knowledge Graph ensures ad messaging aligns with local customs, values, and regulations in over 200 countries and territories.
  • Enhanced Brand Safety – SpherexAI actively prevents ad placements in scenes that could be offensive, inappropriate, or reputationally risky.

Whether you're building a global campaign or fine-tuning messaging for a specific region, SpherexAI ensures your ads resonate with cultural nuance and emotional precision. Best of all, this isn’t vaporware; SpherexAI can be added to your workflows today!

See It In Action

At NAB 2025, we’ll be demoing how SpherexAI empowers advertisers to connect with audiences in powerful new ways—by aligning their campaigns with the content people are already emotionally invested in.

Book a Demo

Ready to experience the future of contextual advertising? Book a meeting with the Spherex team or drop by Booth W1456 during NAB 2025. We’re excited to show you how scene-level cultural intelligence can elevate your strategy and unlock deeper audience engagement.

Read Now

Teresa Phillips Joins OTT.X Buzz Panel to Celebrate Women’s History Month

On March 19, 2025, Spherex CEO Teresa Phillips joined a distinguished panel of female executives for the OTT.X BUZZ session—Women’s History Month Edition. This engaging discussion covered the latest trends in OTT and digital video while shedding light on women's unique experiences navigating the media and technology industries.

Moderated by Charlene Polite Corley, VP of Diverse Insights & Partnerships at Nielsen, the panel featured:

  • Teresa Phillips, Chief Executive Officer, Spherex
  • Jenn Chen, Chief Revenue Officer, JWP Connatix
  • Maria Hellström, Chief Executive Officer, Codemill
  • Laura Martin, Managing Director, Senior Internet & Media Analyst, Needham & Company
  • Paige Sherman, Director, Digital Video Programming, Shout! Studios

Teresa shared valuable insights on leadership, career development, and the evolving role of women in media. Reflecting on her journey in a male-dominated industry and the U.S. Army, she emphasized the impact of mentorship and sponsorship in shaping successful careers. Offering practical advice for early and mid-career professionals, Phillips highlighted the importance of adaptability, recognizing career pivot points, and leading through times of transition.

Key Takeaways from the Discussion Throughout the session, the panelists tackled some of the most pertinent topics facing women and the industry today, including:

  • Work-Life Balance and Corporate Support: The panel explored how companies can better support caregivers, highlighting policies that enable a more inclusive and sustainable work environment.
  • The Rapid Evolution of AI in Media: With AI and automation playing an increasingly central role in content distribution, Phillips emphasized Spherex’s role in leveraging AI-powered tools to help studios navigate cultural and regulatory landscapes worldwide.
  • Leadership in a Shifting Industry: The panelists reflected on how they’ve adapted to significant industry changes, from the rise of FAST channels to the increasing role of data-driven decision-making in content strategy.
  • Challenges and Opportunities for Women in Media: The discussion tackled informal workplace dynamics that impact women’s success, from navigating corporate culture to advocating for fair representation at leadership levels.
  • Balancing Authenticity and Career Growth: Panelists shared insights on maintaining personal authenticity while adapting to workplace expectations in male-dominated spaces.

Looking Ahead: Women Driving Industry Innovation -The panelists reinforced that women’s leadership in M&E is not just necessary—it’s a competitive advantage. As AI, automation, and viewer behaviors evolve, diverse leadership will play a pivotal role in shaping the future of streaming.

Read Now