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Date:
October 22, 2021

Netflix Hits a Global Nerve: Exploring Controversy in Media

As the uproar over the Dave Chappelle comedy special "The Closer" refuses to die down, it is clear that Netflix has hit a nerve. Netflix is no stranger to controversies. Issues with its content continue to grow in international markets alongside the company's slate in local language programming.

In 2019, Netflix removed an episode of the " Patriot Act " from its library in Saudi Arabia, in which Minhaj criticized the Saudi government over the killing of journalist Jamal Khashoggi. In the same year, Netflix edited a graphic suicide scene in " 13 Reasons Why " nearly two years after its release after backlash from mental health groups and countries such as New Zealand where suicide is a sensitive issue. In 2020, the platform cancelled " Messiah " after one season. The series, filmed in Jordan, received criticism from Jordan's Royal Film Commission, asking Netflix to not stream the series for being anti-Islamic.

This time the backlash is literally 'closer' -- at home in the United States and from Netflix employees. The controversial comedy special comes from Dave Chappelle devoting material to ridiculing gay and trans people and describing himself as "team TERF" or "trans-exclusionary radical feminist." Starting with a trans employee at Netflix, the show received intense criticism for being transphobic.

Netflix, in its response, chose to stand behind the show. Leaked emails from Ted Sarandos show him reiterating his support for the Chappelle special. He further went on to say that the company has a strong belief that ''that content on screen doesn't directly translate to real-world harm." The leaked emails created further backlash, and eventually Sarandos retracted his statement -- but the damage had been done.

While correlation and causality are often debated, it is undeniable that what we consume impacts us personally and culturally. For example, an Otago University study in New Zealand found that teenagers have been " shocked " by the portrayal of suicide in the controversial Netflix series "13 Reasons Why." Studies further found a spike in suicides rates in months after Netflix released the show. In India, film regulators (CBFC) believe that smoking on screen glamourizes the habit; hence, it is mandatory to add smoking warnings in films. Earlier research studies identified a correlation between on-screen sexual content and adolescent attitudes and behavior towards sex. Even though it's inconclusive that violence in entertainment leads to real-life violence, there are instances of a connection between the two.

Netflix is known for pushing the envelope when it comes to content. Still, it is naïve to assume doing so does not impact a culture, a country, or individuals where it is consumed.

Americans enjoy personal rights different from other countries, which sometimes leads to a myopic view of other cultures. The First Amendment of the U.S. Constitution guarantees freedom of speech. There is no "hate speech" exception to the First Amendment; thus, there is no legal definition of what precisely constitutes "hate speech" in the U.S. In contrast, many countries in Europe and other parts of the world have laws against hate speech. For example, in the Netherlands, Article 137d of the Criminal Code includes sexual orientation to protect against hate speech. In Iceland, Article 233a of the General Penal Code considers pubic denigration and hatred towards sexual orientation or gender identity in its protection clause. In South Africa, the draft Hate Crimes Bill introduced in 2016 addresses racism, racial discrimination, xenophobia, and discrimination based on gender, sex, sexual orientation, and other problems resulting from hate crimes. The Bill includes provisions that criminalize hate speech in ways that could restrict the right to freedom of expression.

Netflix defended "The Closer" comedy show citing freedom of expression. Creative freedom is indeed one of the essential factors for media and art to function. Comedians push our boundaries, compel dialogue around uncomfortable topics, and poke at society's issues. Still, there is a limit to freedom of expression -- one cannot incite violence. When individuals, especially in vulnerable groups, go from feeling offended by speech to feeling unsafe as a result, it has likely gone too far. Social media platforms like Twitter, YouTube, and Facebook have permanently banned influencers who promote hate speech. A recent study looks at Twitter's deplatforming of influencers, including one comedian who used his platform to promote racism under the guise of comedy. The study found that the activity and toxicity of the influencer's supporters was reduced when he was removed from the service.

Incidents such as these open our minds to perspectives on what freedom of expression means to different people. In their list of demands to Sarandos, the protesting employees at Netflix demanded that the company add disclaimers to transphobic content. Their request seems reasonable given that one of Netflix's core values is ' Inclusivity . ' Sarandos in response , however, said he did not feel the show needed disclaimers.

In our experience at Spherex, a robust content advisory system is valuable in informing the audience what to expect when they are watching a show. A content advisory can take the form of a pre-roll or a ticker, or a description on the content page -- the critical aspect is that it provides sufficient information for vulnerable individuals or groups to make the right decisions about content for themselves and their families. It also conveys responsibility and sensitivity on the part of the platform to acknowledge the potentially harmful impact of content. An example of this would be Disney+'s handling of its classic content. The service has introduced warnings about stereotyping and racism on its library titles.

Regulators all over the world invest themselves in protecting their audiences even outside the bounds of the law. South Africa's Film and Publications Board (FPB) holds regular dialogues on sexual violence and displays appropriate content warnings because it is an issue of concern. Similarly, regulators in the U.K. (BBFC) , New Zealand (OFLC) , Australia (ACB) , among others, periodically update consumer advisory guidelines in line with current social issues. As exhibited in many countries, age ratings in conjunction with consumer advice and additional trigger warnings wherever applicable successfully mitigate audience anxiety and prevent vulnerable groups from feeling threatened by messages or portrayals in content.

Companies that distribute content globally to diverse audiences, like Netflix, must lead the way in promoting greater tolerance and harmony in the world. Their content is viewed by and influences millions of people daily, and they must bear responsibility for what they produce and release. Afterall, "With great power comes great responsibility."

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Spherex CEO Teresa Phillips Talks Practical AI for Global Content Localization at EnTech Fest

At this year’s DEG EnTech Fest, Spherex CEO and Co-Founder Teresa Phillips joined a panel to explore one of the most practical and impactful uses of AI in entertainment today: localization.

During the session titled “Practical AI For Speed and Savings in Localization,” Phillips shared how Spherex is leveraging AI to deliver “deep video understanding” that accelerates compliance and rating decisions in over 200 markets. As she explained, understanding the context—cultural, visual, and narrative—is crucial in determining whether a piece of content is suitable for audiences worldwide.

“AI can now detect not just what happens in a scene, but how it might be interpreted in different cultural and regulatory environments,” said Phillips. For example, in Scandinavian countries, if a trusted figure, such as a clergy member, commits an unethical act onscreen, it can dramatically impact a film’s age rating. SpherexAI is trained to identify these nuanced moments, flagging them for human review when needed.

Phillips also highlighted the role of AI in augmenting human decision-making, noting that “AI agents can be trained to ask humans the right questions—like whether the drinking in a scene is casual or excessive—ensuring more consistent, scalable evaluations.”

The conversation also acknowledged the broader industry shift that AI is bringing to localization workflows—from quality control (QC) to artwork generation, compliance, and project management. With automation poised to displace some entry-level roles, Phillips raised a key question for the future: “If junior roles are the first to be automated, how do we bring new talent into the industry? We have a responsibility in our organizations to create opportunities for the next generation.”

Joining Phillips on the panel were Silviu Epure (Blu Digital Group), Chris Carey (Iyuno), Kelly Summers (The Sherlock Company), and Duncan Wain (Zoo Digital), offering a 360° view on how AI is transforming the way stories cross borders.

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Why Content Differentiation Matters More Than Ever

In today’s fragmented global media landscape, a one-size-fits-all approach no longer works. Media companies face increasing pressure to tailor their content strategies to suit diverse regulatory standards, cultural norms, and viewer expectations.To thrive, they must adopt a new mindset—content differentiation—as both a business imperative and a competitive advantage.

What Is Content Differentiation?

Content differentiation is the strategic process of customizing how media is packaged, presented, and monetized based on the context in which it is distributed. Unlike basic content localization, which focuses mainly on language and format adjustments, content differentiation goes deeper. It aligns content with the regulatory, cultural, and commercial realities of each market, platform, and audience.

The goal is to ensure that content resonates locally while maintaining global scale. Differentiation helps media companies maximize reach, reduce regulatory risk, and improve monetization—all without compromising creative intent.

Why It’s Needed Now
  • Regulatory Complexity: Governments are tightening rules around age ratings, depictions of violence, sexuality, religion, and topics of national interest. These laws vary widely across regions, creating a compliance minefield for global distributors.
  • Cultural Expectations: What works in one market can trigger backlash in another. Cultural nuances—around gender roles, family dynamics, or social taboos—shape how content is perceived and whether it’s embraced or rejected. In many cases, outdated depictions of identity, relationships, or social dynamics can resurface as flashpoints when content is distributed years later in new markets.
  • The Importance of Metadata: Streaming platforms now host massive libraries with considerable overlap in titles across services. In this environment, having accurate, detailed metadata—including production details, talent, , and advanced descriptors—is critical for making content discoverable, marketable, and ultimately profitable. Without it, even high-quality content risks being overlooked.
Meeting the Challenge with SpherexAI

Solving these challenges requires more than manual review or basic tagging—it demands a scalable, intelligent system that understands both the content itself and its contextual significance. That’s where SpherexAI comes in.

SpherexAI is a high-fidelity metadata platform built to help media and entertainment companies implement content differentiation at scale. Using multimodal AI, it analyzes every frame of video—evaluating visuals, audio, dialogue, and on-screen text—to generate rich, actionable metadata that informs compliance decisions, discovery, and monetization.

SpherexAI extends beyond basic content tagging. It analyzes material against global regulatory requirements, identifies cultural nuances and sensitivities, and detects potential risks prior to distribution. Additionally, it enhances content visibility in crowded platform environments by enriching metadata with precise descriptors, scene-level details, emotional tone analysis, and contextual insights—elements that improve content discovery and ad targeting.

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If you're ready to differentiate your content for every audience, platform, and region, SpherexAI can help. Contact us to schedule a demo or speak with our team about how metadata-driven intelligence can power your global strategy.

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NAB 2025 – Recognizing a Changed Industry

Another National Association of Broadcasters (NAB) conference is in the books, and if anything has changed in the media and entertainment industry, the conference and attendees were there to discuss it. From content evolution to changes in audience preferences to AI being everywhere, to trade uncertainty, it was a topic of conversation at NAB 2025. Official categories included: Artificial Intelligence, Cloud Virtualization, Creator Economy, Sports, and Streaming. If a general conclusion could be drawn, it’s that the legacy media business no longer cuts in today’s market, and to survive these new realities, businesses must rethink how they fit in.

Everything Is Changing

One of the biggest takeaways from NAB is the impact the creator economy is having on the industry. Dozens of panels focused on how individuals and small-team productions have upended traditional business models and economics, attracting large audiences from traditional producers while also siphoning away ad revenues and production contracts. Recognizing this trend, hundreds of exhibitors demonstrated how their products or services support all types of creators while also providing benefits to traditional media companies. The NAB also introduced two new initiatives to support this growing sector: the Creator Council and the Creator Lab.

In a keynote session, media cartographer Evan Shapiro highlighted the extent of the shift, pointing out that by 2027, the creator economy is expected to grow to half a trillion dollars, nearly doubling its value from last year ($250 million). Shapiro, recognizing the difference between the creator economy and influencers, cites their effectiveness in attracting and engaging large audiences without having to deal with “gatekeeper-led content.” His final point was that this new reality presents the M&E industry with two options: embrace it or get left behind.

Market and Regulatory Uncertainty

The current uncertainty in global trade markets and the impact of tariffs on product purchases has cast a significant chill on many exhibitors at NAB. This was especially true for those companies whose products were manufactured or included parts from impacted countries or markets (services are not yet subject to tariffs). Many companies encouraged customers to expedite purchases to take advantage of existing inventories and avoid significant cost increases as tariffs are implemented. Attendees and speakers also expressed concerns about how regulatory changes from the FCC and regulators in other countries might impact  children's television programming, the news distortion policy, technical rules (e.g., ATSC 3.0), and TV carriage rules (e.g., non-duplication, and syndicated exclusivity).

Monetization Evolves as Markets Evolve

The continued growth of OTT/FAST and the rapidly expanding creator economy means competition for eyeballs and ads will only become more intense. Evidence of this was on clear display during NAB 2025:

  • Traditional Broadcast Disruption: The rise of streaming services and changing viewer habits are challenging traditional broadcast models, necessitating a reimagining of revenue strategies.
  • Fragmented Audiences: The audience is increasingly fragmented across linear streaming, on-demand platforms, and traditional broadcast, making it more difficult for advertisers to reach consumers effectively.
  • Hybrid Models: Streaming services are increasingly adopting hybrid monetization models, such as AVOD or FAST, to supplement their subscription revenues.

A key component of all of these strategies is high-fidelity metadata. Without it, content marketing, search, and discovery, as well as contextual advertising, are much more difficult to achieve. With it, compliance, brand safety, and audience acceptance increase significantly.

AI Everywhere

Artificial Intelligence (AI) and its increasing impact on content creation, marketing, and virtual production were everywhere at NAB 2025. Nearly 300 exhibiting companies from around the world demonstrated products that included or were enhanced by AI across every phase of content production, marketing, advertising, and distribution. Among them, Spherex highlighted its flagship product, SpherexAI, and demonstrated how it is transforming global video compliance and contextual advertising through scene-level intelligence and cultural insight. It also facilitates ad placement where they will resonate and yield better audience results.

The takeaways from NAB 2025 paint a clear picture: the media and entertainment landscape is in constant flux, demanding adaptability and innovation for survival. The undeniable surge of the creator economy, coupled with market and regulatory uncertainties and the evolving monetization models driven by streaming, presents both challenges and opportunities for traditional and new players. Overlaying all of this is the pervasive influence of artificial intelligence, poised to reshape every facet of the industry.

Ultimately, NAB 2025 underscored a fundamental truth: standing still is no longer an option. The future of media and entertainment belongs to those who embrace change, leverage new technologies, and understand the shifting dynamics of both content creation and audience engagement.

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