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Date:
December 18, 2020

Now the Longest Running Comedy Sitcom: 'It's Always Sunny in Philadelphia'

More hours are being spent on the couch than on the road now with everyone in quarantine and working from home. We have seemingly replaced commuting in cars to bingeing TV. Streaming platforms are taking advantage of this new reality by churning out as much original content as they can. Older, forgotten shows are getting rebooted or renewed for additional episodes exclusively for their respective platforms. The show "Friends" has a reunion special confirmed to be exclusive to HBOMAX in 2021. Similarly, Disney+ already released new original episodes of the once canceled animated series "Star Wars: The Clone Wars." If these networks continue this trend, who will have the longest running series? Currently, the longest running animated television series goes to "The Simpsons" (Fox) with 32 seasons followed by "South Park" (Viacom/HBO) with 23 seasons. On the other hand, "Law and Order: SVU" (NBC) has 22 Seasons making it the longest running scripted drama series. As for scripted comedy the record now belongs to "It's Always Sunny in Philadelphia" which, according to Brandon T. Harden's article , just got renewed for four more seasons thus making it the longest running live action scripted comedy series on television with 18 seasons.

The 15th season of "It's Always Sunny in Philadelphia" will premiere on FXX on an unspecified date in 2021 and the following day on FX on Hulu. Interestingly, FXX and Hulu fall under the Fox/Disney umbrella. The show follows a neurotic group of friends who run a bar in South Philadelphia and get into all sorts of greasy shenanigans-funded by the father of two of the characters. Some might complain that 18 seasons of this obnoxious comedy is too many. But you can't argue with success as evidenced by the thriving careers of the cast. Rob McElhenney now has his own show "Mythic Quest: Raven's Banquet" which is exclusive to AppleTV. Charlie Day has had major screen roles and did voice acting work with Disney/Pixar. Kaitlin Olson has also had success with Disney and Pixar in her role as Destiny in "Finding Dory." Glenn Howerton starred in his own show "A.P. Bio" which premiered in September on NBC's Peacock streaming platform. And finally, the legendary Danny Devito's career continues to flourish at 76.

According to Harden, "The Adventures of Ozzie and Harriet," previously held the longest running series record with 14 seasons (1952 through 1966). It's ironic that The Mouse Empire now owns "It's Always Sunny in Philadelphia" (thanks to its recent Fox acquisition) and that it is has lasted this long on television. Pop on any episode and it's very likely you will see scenes of drunken debauchery like a fully nude and sweaty Danny Devito hastily emerging from a leather couch during a holiday work party. Or it's the episode where the gang solves the mystery of who pooped the bed; naturally, it was Danny Devito's character Frank. The writers and actors have no comedic limits which might explain its rabidly loyal fan base who continually watch reruns and post "Always Sunny" memes on social media.

It would be wise for Disney+ to incorporate the "Always Sunny" gang into its rumored R-Rated section if they want to expand their adult viewership. The cast is clearly getting older, but they still plan on continuing the show for as long as possible. Creator/co-star Rob McElhenney took to Twitter claiming that "Sunny was originally pitched as a 36-season arc. So happy to be halfway done." Tim Molloy in his article notes that McElhenney didn't appreciate how characters in other shows "always get better looking in later seasons, as storylines get syrupier and their stars get richer." For its seventh season, McElhenney decided sudden weight gain or "cultivating mass" would be a "perfect way to mock other sitcoms and capsize the relentless vanity of his character, Mac." A clever alternative to the current methods implemented in wardrobe and makeup popularized in productions today. Danny Devito's character Frank summarized this moment of uncertainty best by telling fans "Well, I don't know how many years on this Earth I got left. I'm gonna get real weird with it." Apparently, he's spending it filming more "Always Sunny," and it has already been really weird. Well done gang.

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Spherex CEO Teresa Phillips Talks Practical AI for Global Content Localization at EnTech Fest

At this year’s DEG EnTech Fest, Spherex CEO and Co-Founder Teresa Phillips joined a panel to explore one of the most practical and impactful uses of AI in entertainment today: localization.

During the session titled “Practical AI For Speed and Savings in Localization,” Phillips shared how Spherex is leveraging AI to deliver “deep video understanding” that accelerates compliance and rating decisions in over 200 markets. As she explained, understanding the context—cultural, visual, and narrative—is crucial in determining whether a piece of content is suitable for audiences worldwide.

“AI can now detect not just what happens in a scene, but how it might be interpreted in different cultural and regulatory environments,” said Phillips. For example, in Scandinavian countries, if a trusted figure, such as a clergy member, commits an unethical act onscreen, it can dramatically impact a film’s age rating. SpherexAI is trained to identify these nuanced moments, flagging them for human review when needed.

Phillips also highlighted the role of AI in augmenting human decision-making, noting that “AI agents can be trained to ask humans the right questions—like whether the drinking in a scene is casual or excessive—ensuring more consistent, scalable evaluations.”

The conversation also acknowledged the broader industry shift that AI is bringing to localization workflows—from quality control (QC) to artwork generation, compliance, and project management. With automation poised to displace some entry-level roles, Phillips raised a key question for the future: “If junior roles are the first to be automated, how do we bring new talent into the industry? We have a responsibility in our organizations to create opportunities for the next generation.”

Joining Phillips on the panel were Silviu Epure (Blu Digital Group), Chris Carey (Iyuno), Kelly Summers (The Sherlock Company), and Duncan Wain (Zoo Digital), offering a 360° view on how AI is transforming the way stories cross borders.

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Why Content Differentiation Matters More Than Ever

In today’s fragmented global media landscape, a one-size-fits-all approach no longer works. Media companies face increasing pressure to tailor their content strategies to suit diverse regulatory standards, cultural norms, and viewer expectations.To thrive, they must adopt a new mindset—content differentiation—as both a business imperative and a competitive advantage.

What Is Content Differentiation?

Content differentiation is the strategic process of customizing how media is packaged, presented, and monetized based on the context in which it is distributed. Unlike basic content localization, which focuses mainly on language and format adjustments, content differentiation goes deeper. It aligns content with the regulatory, cultural, and commercial realities of each market, platform, and audience.

The goal is to ensure that content resonates locally while maintaining global scale. Differentiation helps media companies maximize reach, reduce regulatory risk, and improve monetization—all without compromising creative intent.

Why It’s Needed Now
  • Regulatory Complexity: Governments are tightening rules around age ratings, depictions of violence, sexuality, religion, and topics of national interest. These laws vary widely across regions, creating a compliance minefield for global distributors.
  • Cultural Expectations: What works in one market can trigger backlash in another. Cultural nuances—around gender roles, family dynamics, or social taboos—shape how content is perceived and whether it’s embraced or rejected. In many cases, outdated depictions of identity, relationships, or social dynamics can resurface as flashpoints when content is distributed years later in new markets.
  • The Importance of Metadata: Streaming platforms now host massive libraries with considerable overlap in titles across services. In this environment, having accurate, detailed metadata—including production details, talent, , and advanced descriptors—is critical for making content discoverable, marketable, and ultimately profitable. Without it, even high-quality content risks being overlooked.
Meeting the Challenge with SpherexAI

Solving these challenges requires more than manual review or basic tagging—it demands a scalable, intelligent system that understands both the content itself and its contextual significance. That’s where SpherexAI comes in.

SpherexAI is a high-fidelity metadata platform built to help media and entertainment companies implement content differentiation at scale. Using multimodal AI, it analyzes every frame of video—evaluating visuals, audio, dialogue, and on-screen text—to generate rich, actionable metadata that informs compliance decisions, discovery, and monetization.

SpherexAI extends beyond basic content tagging. It analyzes material against global regulatory requirements, identifies cultural nuances and sensitivities, and detects potential risks prior to distribution. Additionally, it enhances content visibility in crowded platform environments by enriching metadata with precise descriptors, scene-level details, emotional tone analysis, and contextual insights—elements that improve content discovery and ad targeting.

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If you're ready to differentiate your content for every audience, platform, and region, SpherexAI can help. Contact us to schedule a demo or speak with our team about how metadata-driven intelligence can power your global strategy.

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NAB 2025 – Recognizing a Changed Industry

Another National Association of Broadcasters (NAB) conference is in the books, and if anything has changed in the media and entertainment industry, the conference and attendees were there to discuss it. From content evolution to changes in audience preferences to AI being everywhere, to trade uncertainty, it was a topic of conversation at NAB 2025. Official categories included: Artificial Intelligence, Cloud Virtualization, Creator Economy, Sports, and Streaming. If a general conclusion could be drawn, it’s that the legacy media business no longer cuts in today’s market, and to survive these new realities, businesses must rethink how they fit in.

Everything Is Changing

One of the biggest takeaways from NAB is the impact the creator economy is having on the industry. Dozens of panels focused on how individuals and small-team productions have upended traditional business models and economics, attracting large audiences from traditional producers while also siphoning away ad revenues and production contracts. Recognizing this trend, hundreds of exhibitors demonstrated how their products or services support all types of creators while also providing benefits to traditional media companies. The NAB also introduced two new initiatives to support this growing sector: the Creator Council and the Creator Lab.

In a keynote session, media cartographer Evan Shapiro highlighted the extent of the shift, pointing out that by 2027, the creator economy is expected to grow to half a trillion dollars, nearly doubling its value from last year ($250 million). Shapiro, recognizing the difference between the creator economy and influencers, cites their effectiveness in attracting and engaging large audiences without having to deal with “gatekeeper-led content.” His final point was that this new reality presents the M&E industry with two options: embrace it or get left behind.

Market and Regulatory Uncertainty

The current uncertainty in global trade markets and the impact of tariffs on product purchases has cast a significant chill on many exhibitors at NAB. This was especially true for those companies whose products were manufactured or included parts from impacted countries or markets (services are not yet subject to tariffs). Many companies encouraged customers to expedite purchases to take advantage of existing inventories and avoid significant cost increases as tariffs are implemented. Attendees and speakers also expressed concerns about how regulatory changes from the FCC and regulators in other countries might impact  children's television programming, the news distortion policy, technical rules (e.g., ATSC 3.0), and TV carriage rules (e.g., non-duplication, and syndicated exclusivity).

Monetization Evolves as Markets Evolve

The continued growth of OTT/FAST and the rapidly expanding creator economy means competition for eyeballs and ads will only become more intense. Evidence of this was on clear display during NAB 2025:

  • Traditional Broadcast Disruption: The rise of streaming services and changing viewer habits are challenging traditional broadcast models, necessitating a reimagining of revenue strategies.
  • Fragmented Audiences: The audience is increasingly fragmented across linear streaming, on-demand platforms, and traditional broadcast, making it more difficult for advertisers to reach consumers effectively.
  • Hybrid Models: Streaming services are increasingly adopting hybrid monetization models, such as AVOD or FAST, to supplement their subscription revenues.

A key component of all of these strategies is high-fidelity metadata. Without it, content marketing, search, and discovery, as well as contextual advertising, are much more difficult to achieve. With it, compliance, brand safety, and audience acceptance increase significantly.

AI Everywhere

Artificial Intelligence (AI) and its increasing impact on content creation, marketing, and virtual production were everywhere at NAB 2025. Nearly 300 exhibiting companies from around the world demonstrated products that included or were enhanced by AI across every phase of content production, marketing, advertising, and distribution. Among them, Spherex highlighted its flagship product, SpherexAI, and demonstrated how it is transforming global video compliance and contextual advertising through scene-level intelligence and cultural insight. It also facilitates ad placement where they will resonate and yield better audience results.

The takeaways from NAB 2025 paint a clear picture: the media and entertainment landscape is in constant flux, demanding adaptability and innovation for survival. The undeniable surge of the creator economy, coupled with market and regulatory uncertainties and the evolving monetization models driven by streaming, presents both challenges and opportunities for traditional and new players. Overlaying all of this is the pervasive influence of artificial intelligence, poised to reshape every facet of the industry.

Ultimately, NAB 2025 underscored a fundamental truth: standing still is no longer an option. The future of media and entertainment belongs to those who embrace change, leverage new technologies, and understand the shifting dynamics of both content creation and audience engagement.

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