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Date:
November 15, 2021

Understanding the TV Ratings Chart

Every time we turn on our television, and before any program begins, a box appears on our screens that contain the show's age rating. Also known as parental guidelines, this rating may not matter much to kids, but it informs parents that what they watch may or may not be suitable for everyone.

In the U.S., there are currently seven (7) television ratings displayed on-screen. They are:

Comparing TV age ratings to movie ratings, three things stand out. First, there is a general overlap between the primary TV and movie ratings. This is done primarily to avoid confusion. Second, there are more types of TV programs being developed for young children than there are films, so the industry created three additional ratings to better inform parents of content within those shows they may choose to restrict from their children's viewing. Thirdly and conversely, there is no TV rating for purely adult content, because such content is not specifically developed or available on TV. Such content is available, but only from age-restricted subscription services or pay-per-view.

When notices appear on-screen can vary. If the show is longer than one hour, then the rating icon--if it appears at all--will reappear at the bottom or top of the hour. Some channels display the rating icon after each commercial break, but not all do.

But what about streaming platforms?

All content needs to be rated no matter its platform. Streaming platforms have generally adopted both TV and movie ratings methodologies in the US. The difference is streaming services are more willing to label content "unrated" if no "official" rating has been obtained or if the producer or distributor of the content has not "self-rated" it. TV content such as news, sports, religious, paid advertising and home shopping programs are not required to have ratings, and therefore do not display one.

Age ratings do have an impact on audience. If parents don't see an episodic or film rating at-a-glance, then they won't know if they should let their kids watch it. In film, a movie with an "R" rating will have fewer viewers than a "PG-13 rated film." Smaller audiences mean fewer ticket sales, which mean less revenue. If that happens in TV, lower-rated shows lose out on additional views, which means lower share ratings and the show may not get renewed or ever be rebroadcast. On streaming platforms, an "Unrated" show may be ignored by search algorithms, again missing out on any ability to find an audience.

Streamers offer additional tools parents can use to define and limit the types of content their children can watch. Disney+, Netflix, Hulu, Prime Video and others offer parental controls and even kid's profiles for just this purpose and some make sure the kids stay safe. For example, Disney+ offers a "Kid-Proof" feature that prohibits them from leaving their profile without passing a test. These parental options have not yet made their way to linear TV services.

Source: soda.com

Recommendations for Improving the System

Some organizations are calling for a more uniform approach to ratings. The Catholic News reported last month (September 2021) the TV Parental Guidelines Board's (PGB) recommended guidelines for streaming services—and how they "can and should adopt age-based ratings and applicable descriptors." They suggest that, like most television shows, streaming providers should display rating when consumers scroll through their viewing options. The PGB also said that these ratings should be displayed across all viewing platforms: television and online. So, whether we're watching snippets of "Bridgerton" on YouTube or Netflix, the ratings should display the same unless heavily edited to meet a "G" rating.

Tim Winter, the president of the Parents Television Council , insisted the new guidelines would be a positive, if small, step to fixing some of the "widespread inconsistencies in how programs are rated," specifically on streaming platforms.

Other countries have already taken action to limit the amount of violent material that could frighten young children, among other things. According to the Center for Media Literacy , more productive ratings systems "pay attention to developmental age differences" between children age groups and aim to address viewers at home and in theaters.

Sweden, Spain, Norway, Germany, and Denmark all have a ratings system that considers the type and intensity of violent material shown. Based on those factors, their ratings classifications "either warn parents about violent material or restrict theater access" for younger children. Spain is also one of several countries that have developed specific classifications for televised content . Other countries include Australia, Chile, France, Hungary, Ireland, Italy, Malaysia, Maldives, New Zealand, Peru, the Philippines, Poland, Portugal, Romania, Thailand, Turkey, and Venezuela. Conversely, other countries such as South Africa, the Netherlands, Mexico, Brazil, and Argentina have adapted film ratings for television. This is separate from the United States, which has independent ratings systems for television and film.

TV and movie rating systems exist as tools consumers can use to learn about the appropriateness of content for their families. Given the concern being raised by parents that with so many titles becoming available on TV and on streaming platforms, how, where and when age ratings are available is more important than ever before.

Related Insights

Spherex CEO Teresa Phillips Talks Practical AI for Global Content Localization at EnTech Fest

At this year’s DEG EnTech Fest, Spherex CEO and Co-Founder Teresa Phillips joined a panel to explore one of the most practical and impactful uses of AI in entertainment today: localization.

During the session titled “Practical AI For Speed and Savings in Localization,” Phillips shared how Spherex is leveraging AI to deliver “deep video understanding” that accelerates compliance and rating decisions in over 200 markets. As she explained, understanding the context—cultural, visual, and narrative—is crucial in determining whether a piece of content is suitable for audiences worldwide.

“AI can now detect not just what happens in a scene, but how it might be interpreted in different cultural and regulatory environments,” said Phillips. For example, in Scandinavian countries, if a trusted figure, such as a clergy member, commits an unethical act onscreen, it can dramatically impact a film’s age rating. SpherexAI is trained to identify these nuanced moments, flagging them for human review when needed.

Phillips also highlighted the role of AI in augmenting human decision-making, noting that “AI agents can be trained to ask humans the right questions—like whether the drinking in a scene is casual or excessive—ensuring more consistent, scalable evaluations.”

The conversation also acknowledged the broader industry shift that AI is bringing to localization workflows—from quality control (QC) to artwork generation, compliance, and project management. With automation poised to displace some entry-level roles, Phillips raised a key question for the future: “If junior roles are the first to be automated, how do we bring new talent into the industry? We have a responsibility in our organizations to create opportunities for the next generation.”

Joining Phillips on the panel were Silviu Epure (Blu Digital Group), Chris Carey (Iyuno), Kelly Summers (The Sherlock Company), and Duncan Wain (Zoo Digital), offering a 360° view on how AI is transforming the way stories cross borders.

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Why Content Differentiation Matters More Than Ever

In today’s fragmented global media landscape, a one-size-fits-all approach no longer works. Media companies face increasing pressure to tailor their content strategies to suit diverse regulatory standards, cultural norms, and viewer expectations.To thrive, they must adopt a new mindset—content differentiation—as both a business imperative and a competitive advantage.

What Is Content Differentiation?

Content differentiation is the strategic process of customizing how media is packaged, presented, and monetized based on the context in which it is distributed. Unlike basic content localization, which focuses mainly on language and format adjustments, content differentiation goes deeper. It aligns content with the regulatory, cultural, and commercial realities of each market, platform, and audience.

The goal is to ensure that content resonates locally while maintaining global scale. Differentiation helps media companies maximize reach, reduce regulatory risk, and improve monetization—all without compromising creative intent.

Why It’s Needed Now
  • Regulatory Complexity: Governments are tightening rules around age ratings, depictions of violence, sexuality, religion, and topics of national interest. These laws vary widely across regions, creating a compliance minefield for global distributors.
  • Cultural Expectations: What works in one market can trigger backlash in another. Cultural nuances—around gender roles, family dynamics, or social taboos—shape how content is perceived and whether it’s embraced or rejected. In many cases, outdated depictions of identity, relationships, or social dynamics can resurface as flashpoints when content is distributed years later in new markets.
  • The Importance of Metadata: Streaming platforms now host massive libraries with considerable overlap in titles across services. In this environment, having accurate, detailed metadata—including production details, talent, , and advanced descriptors—is critical for making content discoverable, marketable, and ultimately profitable. Without it, even high-quality content risks being overlooked.
Meeting the Challenge with SpherexAI

Solving these challenges requires more than manual review or basic tagging—it demands a scalable, intelligent system that understands both the content itself and its contextual significance. That’s where SpherexAI comes in.

SpherexAI is a high-fidelity metadata platform built to help media and entertainment companies implement content differentiation at scale. Using multimodal AI, it analyzes every frame of video—evaluating visuals, audio, dialogue, and on-screen text—to generate rich, actionable metadata that informs compliance decisions, discovery, and monetization.

SpherexAI extends beyond basic content tagging. It analyzes material against global regulatory requirements, identifies cultural nuances and sensitivities, and detects potential risks prior to distribution. Additionally, it enhances content visibility in crowded platform environments by enriching metadata with precise descriptors, scene-level details, emotional tone analysis, and contextual insights—elements that improve content discovery and ad targeting.

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If you're ready to differentiate your content for every audience, platform, and region, SpherexAI can help. Contact us to schedule a demo or speak with our team about how metadata-driven intelligence can power your global strategy.

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NAB 2025 – Recognizing a Changed Industry

Another National Association of Broadcasters (NAB) conference is in the books, and if anything has changed in the media and entertainment industry, the conference and attendees were there to discuss it. From content evolution to changes in audience preferences to AI being everywhere, to trade uncertainty, it was a topic of conversation at NAB 2025. Official categories included: Artificial Intelligence, Cloud Virtualization, Creator Economy, Sports, and Streaming. If a general conclusion could be drawn, it’s that the legacy media business no longer cuts in today’s market, and to survive these new realities, businesses must rethink how they fit in.

Everything Is Changing

One of the biggest takeaways from NAB is the impact the creator economy is having on the industry. Dozens of panels focused on how individuals and small-team productions have upended traditional business models and economics, attracting large audiences from traditional producers while also siphoning away ad revenues and production contracts. Recognizing this trend, hundreds of exhibitors demonstrated how their products or services support all types of creators while also providing benefits to traditional media companies. The NAB also introduced two new initiatives to support this growing sector: the Creator Council and the Creator Lab.

In a keynote session, media cartographer Evan Shapiro highlighted the extent of the shift, pointing out that by 2027, the creator economy is expected to grow to half a trillion dollars, nearly doubling its value from last year ($250 million). Shapiro, recognizing the difference between the creator economy and influencers, cites their effectiveness in attracting and engaging large audiences without having to deal with “gatekeeper-led content.” His final point was that this new reality presents the M&E industry with two options: embrace it or get left behind.

Market and Regulatory Uncertainty

The current uncertainty in global trade markets and the impact of tariffs on product purchases has cast a significant chill on many exhibitors at NAB. This was especially true for those companies whose products were manufactured or included parts from impacted countries or markets (services are not yet subject to tariffs). Many companies encouraged customers to expedite purchases to take advantage of existing inventories and avoid significant cost increases as tariffs are implemented. Attendees and speakers also expressed concerns about how regulatory changes from the FCC and regulators in other countries might impact  children's television programming, the news distortion policy, technical rules (e.g., ATSC 3.0), and TV carriage rules (e.g., non-duplication, and syndicated exclusivity).

Monetization Evolves as Markets Evolve

The continued growth of OTT/FAST and the rapidly expanding creator economy means competition for eyeballs and ads will only become more intense. Evidence of this was on clear display during NAB 2025:

  • Traditional Broadcast Disruption: The rise of streaming services and changing viewer habits are challenging traditional broadcast models, necessitating a reimagining of revenue strategies.
  • Fragmented Audiences: The audience is increasingly fragmented across linear streaming, on-demand platforms, and traditional broadcast, making it more difficult for advertisers to reach consumers effectively.
  • Hybrid Models: Streaming services are increasingly adopting hybrid monetization models, such as AVOD or FAST, to supplement their subscription revenues.

A key component of all of these strategies is high-fidelity metadata. Without it, content marketing, search, and discovery, as well as contextual advertising, are much more difficult to achieve. With it, compliance, brand safety, and audience acceptance increase significantly.

AI Everywhere

Artificial Intelligence (AI) and its increasing impact on content creation, marketing, and virtual production were everywhere at NAB 2025. Nearly 300 exhibiting companies from around the world demonstrated products that included or were enhanced by AI across every phase of content production, marketing, advertising, and distribution. Among them, Spherex highlighted its flagship product, SpherexAI, and demonstrated how it is transforming global video compliance and contextual advertising through scene-level intelligence and cultural insight. It also facilitates ad placement where they will resonate and yield better audience results.

The takeaways from NAB 2025 paint a clear picture: the media and entertainment landscape is in constant flux, demanding adaptability and innovation for survival. The undeniable surge of the creator economy, coupled with market and regulatory uncertainties and the evolving monetization models driven by streaming, presents both challenges and opportunities for traditional and new players. Overlaying all of this is the pervasive influence of artificial intelligence, poised to reshape every facet of the industry.

Ultimately, NAB 2025 underscored a fundamental truth: standing still is no longer an option. The future of media and entertainment belongs to those who embrace change, leverage new technologies, and understand the shifting dynamics of both content creation and audience engagement.

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