← Back To All Posts
Date:
September 27, 2021

The Emmy's Kudos to Culture & Change

Culture Matters:

Award ceremonies have long been used by people in the media and entertainment industry to make statements about our world. Occasionally controversial, one consistent theme revisited year after year is culture and impact on content. One of the most memorable statements was when, in 1973, Marlon Brando refused the Best Actor Academy Award for his role in "The Godfather." Native American actress Sacheen Littlefeather took to the stage and declined the award due to Brando's views of "the treatment of American Indians by the film industry, of TV movie reruns, and also recent happenings at Wounded Knee." Littlefeather thanked the audience for their indulgence and said her hope was "…in the future, our hearts and understandings will meet with love and generosity."

Dick Cavett interviewed Brando and asked why he did it. Brando replied it was to call attention to the fact that continued degrading depictions of American Indians, minorities, and other cultures in movies and TV harm them. As one of the industry's biggest stars and with an anticipated audience of 85 million people, Brando felt he had the freedom and responsibility to criticize Hollywood for perpetuating stereotypes. He was one of the first to say publicly that it was harmful for "American Indians and all other minorities" to be "represented as savage, as ugly, as nasty, vicious, treacherous, and drunk." The effect was, he said, to cause their children to "they grow up only with a negative image of themselves and it lasts a lifetime." He was glad he allowed Littlefeather to make her statement.

Forty-eight years later, Reservation Dogs creator Sterlin Harjo said, "We are here on television's biggest night as creators and actors, proud to be Indigenous people working in Hollywood, representing the first people to walk upon this continent, and we are really happy to be here." Actor 'D'Pharaoh Woon-A-Tai said, "Thankfully, networks and streamers are now—now—beginning to produce and develop shows created by and starring Indigenous people." Devery Jacobs, who plays Elora Danan Postoak in the series, added, "It's a good start, which can lead us to the day when telling stories from underserved communities will be the norm, not the exception." Paulina Alexis, who plays Willie Jack, closed their remarks, saying, "Because, like life, TV is at its best when we all have a voice."

Yara Shahidi, star and Executive Producer of "Grown-ish," mentioned when presenting the award for "Best Supporting Actor in a Comedy Series" how television and culture "…should affect things. Setting the tone not for today, but tomorrow."

Lucia Aniello, producer of the HBO series "Hacks," spoke about "wanting to make a show that honors anybody who struggled to tell their stories, especially women who never got to tell their story at all because the world wasn't listening."

Television Academy President and CEO Frank Scherma said, "Television has always been a place to come together and share our most valuable resource: stories. We laugh, cry, learn and watch television as a family and as a community. And it's so great to see that television and the stories that we tell are finally becoming a reflection of every part of our society. Voices of black, Latinx, Asian American, and Indigenous creators, along with the LGTQBIA+, neurodiverse and disabled communities are being heard by larger audiences than ever before. These stories touch all of us as part of our shared human experience. We've only started this next evolution where content represents who we are as a global population. And when we see other perspectives, besides our own, we move beyond simply acknowledging our differences and begin to understand and celebrate them."

In accepting the Governor's Award, Debbie Allen said, "Let this moment resonate with women across this country and across the world, from Texas to Afghanistan. Let them know, and with young people who have no vote who can't even get a vaccine, they're inheriting the world that we leave them. It's time for them to claim their power. Claim your voice. Sing your song. Tell your story. It will make us a better place. Your turn."

We'll never know if Marlon Brando would agree that the M&E industry is doing better at representing minority populations in film and on TV in positive ways. Getting to where they can write and produce their own content has been too long in coming, but it is a move in the right direction.

The number of people of color who win industry awards remains lower than many would like. However, the plethora of new distribution platforms and increasing demand from the public for their cultural stories create more opportunities for their work to be seen and their talents to be recognized. The statements at this year's Emmy Awards reflect the importance culture has on influencing stories and how they can, as Sacheen Littlefeather hoped, lead to "love and generosity." Culture matters.

Related Insights

Spherex CEO Teresa Phillips Talks Practical AI for Global Content Localization at EnTech Fest

At this year’s DEG EnTech Fest, Spherex CEO and Co-Founder Teresa Phillips joined a panel to explore one of the most practical and impactful uses of AI in entertainment today: localization.

During the session titled “Practical AI For Speed and Savings in Localization,” Phillips shared how Spherex is leveraging AI to deliver “deep video understanding” that accelerates compliance and rating decisions in over 200 markets. As she explained, understanding the context—cultural, visual, and narrative—is crucial in determining whether a piece of content is suitable for audiences worldwide.

“AI can now detect not just what happens in a scene, but how it might be interpreted in different cultural and regulatory environments,” said Phillips. For example, in Scandinavian countries, if a trusted figure, such as a clergy member, commits an unethical act onscreen, it can dramatically impact a film’s age rating. SpherexAI is trained to identify these nuanced moments, flagging them for human review when needed.

Phillips also highlighted the role of AI in augmenting human decision-making, noting that “AI agents can be trained to ask humans the right questions—like whether the drinking in a scene is casual or excessive—ensuring more consistent, scalable evaluations.”

The conversation also acknowledged the broader industry shift that AI is bringing to localization workflows—from quality control (QC) to artwork generation, compliance, and project management. With automation poised to displace some entry-level roles, Phillips raised a key question for the future: “If junior roles are the first to be automated, how do we bring new talent into the industry? We have a responsibility in our organizations to create opportunities for the next generation.”

Joining Phillips on the panel were Silviu Epure (Blu Digital Group), Chris Carey (Iyuno), Kelly Summers (The Sherlock Company), and Duncan Wain (Zoo Digital), offering a 360° view on how AI is transforming the way stories cross borders.

Read Now

Why Content Differentiation Matters More Than Ever

In today’s fragmented global media landscape, a one-size-fits-all approach no longer works. Media companies face increasing pressure to tailor their content strategies to suit diverse regulatory standards, cultural norms, and viewer expectations.To thrive, they must adopt a new mindset—content differentiation—as both a business imperative and a competitive advantage.

What Is Content Differentiation?

Content differentiation is the strategic process of customizing how media is packaged, presented, and monetized based on the context in which it is distributed. Unlike basic content localization, which focuses mainly on language and format adjustments, content differentiation goes deeper. It aligns content with the regulatory, cultural, and commercial realities of each market, platform, and audience.

The goal is to ensure that content resonates locally while maintaining global scale. Differentiation helps media companies maximize reach, reduce regulatory risk, and improve monetization—all without compromising creative intent.

Why It’s Needed Now
  • Regulatory Complexity: Governments are tightening rules around age ratings, depictions of violence, sexuality, religion, and topics of national interest. These laws vary widely across regions, creating a compliance minefield for global distributors.
  • Cultural Expectations: What works in one market can trigger backlash in another. Cultural nuances—around gender roles, family dynamics, or social taboos—shape how content is perceived and whether it’s embraced or rejected. In many cases, outdated depictions of identity, relationships, or social dynamics can resurface as flashpoints when content is distributed years later in new markets.
  • The Importance of Metadata: Streaming platforms now host massive libraries with considerable overlap in titles across services. In this environment, having accurate, detailed metadata—including production details, talent, , and advanced descriptors—is critical for making content discoverable, marketable, and ultimately profitable. Without it, even high-quality content risks being overlooked.
Meeting the Challenge with SpherexAI

Solving these challenges requires more than manual review or basic tagging—it demands a scalable, intelligent system that understands both the content itself and its contextual significance. That’s where SpherexAI comes in.

SpherexAI is a high-fidelity metadata platform built to help media and entertainment companies implement content differentiation at scale. Using multimodal AI, it analyzes every frame of video—evaluating visuals, audio, dialogue, and on-screen text—to generate rich, actionable metadata that informs compliance decisions, discovery, and monetization.

SpherexAI extends beyond basic content tagging. It analyzes material against global regulatory requirements, identifies cultural nuances and sensitivities, and detects potential risks prior to distribution. Additionally, it enhances content visibility in crowded platform environments by enriching metadata with precise descriptors, scene-level details, emotional tone analysis, and contextual insights—elements that improve content discovery and ad targeting.

Learn More

If you're ready to differentiate your content for every audience, platform, and region, SpherexAI can help. Contact us to schedule a demo or speak with our team about how metadata-driven intelligence can power your global strategy.

Read Now

NAB 2025 – Recognizing a Changed Industry

Another National Association of Broadcasters (NAB) conference is in the books, and if anything has changed in the media and entertainment industry, the conference and attendees were there to discuss it. From content evolution to changes in audience preferences to AI being everywhere, to trade uncertainty, it was a topic of conversation at NAB 2025. Official categories included: Artificial Intelligence, Cloud Virtualization, Creator Economy, Sports, and Streaming. If a general conclusion could be drawn, it’s that the legacy media business no longer cuts in today’s market, and to survive these new realities, businesses must rethink how they fit in.

Everything Is Changing

One of the biggest takeaways from NAB is the impact the creator economy is having on the industry. Dozens of panels focused on how individuals and small-team productions have upended traditional business models and economics, attracting large audiences from traditional producers while also siphoning away ad revenues and production contracts. Recognizing this trend, hundreds of exhibitors demonstrated how their products or services support all types of creators while also providing benefits to traditional media companies. The NAB also introduced two new initiatives to support this growing sector: the Creator Council and the Creator Lab.

In a keynote session, media cartographer Evan Shapiro highlighted the extent of the shift, pointing out that by 2027, the creator economy is expected to grow to half a trillion dollars, nearly doubling its value from last year ($250 million). Shapiro, recognizing the difference between the creator economy and influencers, cites their effectiveness in attracting and engaging large audiences without having to deal with “gatekeeper-led content.” His final point was that this new reality presents the M&E industry with two options: embrace it or get left behind.

Market and Regulatory Uncertainty

The current uncertainty in global trade markets and the impact of tariffs on product purchases has cast a significant chill on many exhibitors at NAB. This was especially true for those companies whose products were manufactured or included parts from impacted countries or markets (services are not yet subject to tariffs). Many companies encouraged customers to expedite purchases to take advantage of existing inventories and avoid significant cost increases as tariffs are implemented. Attendees and speakers also expressed concerns about how regulatory changes from the FCC and regulators in other countries might impact  children's television programming, the news distortion policy, technical rules (e.g., ATSC 3.0), and TV carriage rules (e.g., non-duplication, and syndicated exclusivity).

Monetization Evolves as Markets Evolve

The continued growth of OTT/FAST and the rapidly expanding creator economy means competition for eyeballs and ads will only become more intense. Evidence of this was on clear display during NAB 2025:

  • Traditional Broadcast Disruption: The rise of streaming services and changing viewer habits are challenging traditional broadcast models, necessitating a reimagining of revenue strategies.
  • Fragmented Audiences: The audience is increasingly fragmented across linear streaming, on-demand platforms, and traditional broadcast, making it more difficult for advertisers to reach consumers effectively.
  • Hybrid Models: Streaming services are increasingly adopting hybrid monetization models, such as AVOD or FAST, to supplement their subscription revenues.

A key component of all of these strategies is high-fidelity metadata. Without it, content marketing, search, and discovery, as well as contextual advertising, are much more difficult to achieve. With it, compliance, brand safety, and audience acceptance increase significantly.

AI Everywhere

Artificial Intelligence (AI) and its increasing impact on content creation, marketing, and virtual production were everywhere at NAB 2025. Nearly 300 exhibiting companies from around the world demonstrated products that included or were enhanced by AI across every phase of content production, marketing, advertising, and distribution. Among them, Spherex highlighted its flagship product, SpherexAI, and demonstrated how it is transforming global video compliance and contextual advertising through scene-level intelligence and cultural insight. It also facilitates ad placement where they will resonate and yield better audience results.

The takeaways from NAB 2025 paint a clear picture: the media and entertainment landscape is in constant flux, demanding adaptability and innovation for survival. The undeniable surge of the creator economy, coupled with market and regulatory uncertainties and the evolving monetization models driven by streaming, presents both challenges and opportunities for traditional and new players. Overlaying all of this is the pervasive influence of artificial intelligence, poised to reshape every facet of the industry.

Ultimately, NAB 2025 underscored a fundamental truth: standing still is no longer an option. The future of media and entertainment belongs to those who embrace change, leverage new technologies, and understand the shifting dynamics of both content creation and audience engagement.

Read Now