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Date:
January 5, 2023

CES 2023: Xperi, Dolby, NAGRA, Spherex Open the Show

Xperi

Xperi and its numerous subsidiaries kicked off CES in a big way, with hardware, software and partnership news.

Xperi-owned TiVo and Vestel, one of the top three European TV manufacturers, announced that as part of a multi-year, multi-country and multi-million-unit agreement, the first “Powered by TiVo” smart TVs are expected to ship as early as spring 2023 featuring chipsets from MediaTek, a global fabless semiconductor company that enables more than two billion connected devices a year. When released, consumers in the United Kingdom, France, Germany, Italy, Spain, and Turkey will be able to purchase “Powered by TiVo” smart TVs under brands including Vestel, Daewoo, Regal, Hitachi, Telefunken and JVC.

Xperi announced its new independent media platform at IFA 2022 and welcomed Vestel as its first original equipment manufacturer (OEM) partner. Vestel will be utilizing the new TiVo OS, a first-of-its-kind neutral platform, aimed at giving OEMs significantly more control over the user experience to drive brand awareness, engagement, and monetization at scale. Without the limitations of a closed system, the neutral platform returns control to consumers, empowering them to enjoy entertainment on their terms, for the ultimate home entertainment experience.

Vestel’s new line of TVs use “Powered by TiVo” OS, a streamlined smart TV platform with easy content discovery and personalized recommendations. It provides a simple set-up and intuitive user experience, enabling consumers the choice and the control to discover content across their favorite streaming apps.

Meanwhile, Sony Pictures Entertainment (SPE), Xperi’s DTS subsidiary and IMAX Corporation announced a significant expansion of the IMAX Enhanced ecosystem with SPE’s commitment to release multiple new titles in the IMAX Enhanced format during their respective home entertainment windows over the next few years.

IMAX Enhanced technology is the only way to experience IMAX’s signature picture, sound, and scale outside of a movie theater, combining exclusive, IMAX digitally remastered 4K HDR content and DTS:X premium audio delivered through high-end consumer electronics and streaming platforms.

The IMAX Enhanced program continues to advance its premium content footprint for consumers worldwide with new titles delivered in 4K HDR featuring IMAX proprietary digital remastering (DMR), exclusive expanded aspect ratio (select sequences) and IMAX Signature Sound by DTS, including Whitney Houston: I Wanna Dance with Somebody, A Man Called Otto, Madame Web, Gran Turismo, Spider-Man: Across the Spider-Verse and The Equalizer 3, among others.

This will include exclusive IMAX Enhanced and DTS:X UHD box sets (titles to be announced). IMAX Enhanced releases will remain available across Europe, North America and Asia Pacific regions.

Additionally, TiVo and Amlogic, a leading fabless semiconductor company, announced that they have pre-integrated TiVo OSonAmlogic T962D4 and T950D4 chipsets for the U.S. and European markets.

By choosing an Amlogic 4K or 2K smart TV chipset with TiVo OS pre-integrated, TV OEMs benefit from the combined scale and support of critical technology providers, hardware suppliers and advertisers. The cost-effective turnkey solution deploys the award-winning TiVo OS across their smart TV product lines with the global and local video content services consumers require.

Lastly, Xperi announced a partnership with LG Electronics to integrate DTS:X immersive audio technology into LG’s latest OLED and Premium LCD TVs. DTS, Inc., a wholly owned subsidiary of Xperi Inc., is dedicated to making the world sound better through its pioneering audio solutions for mobile, home, cinema and beyond. This announcement represents a significant milestone in DTS’s journey to embed DTS:X technology in more devices that create extraordinary experiences for consumers. It also demonstrates LG’s commitment to expand the availability of the DTS solution.

NAGRA

Content protection and media and entertainment solutions firm NAGRA announced a collaboration with CANAL+ TELECOM – a subsidiary of Canal+ Group operating in Guadeloupe, Saint Martin, Saint Barthelemy, Martinique, French Guiana and Reunion Island with 150,000 subscribers – and Otodo – a home automation company that provides telecom operators and service providers with a white label platform enabling smart home services.

To broaden CANAL+ TELECOM’s value-led service offering, NAGRA Scout, the intelligent connected lifestyle security solution, and Otodo’s home automation and control application are connecting to offer first-of-its-kind smart home automation with security aimed at increasing subscriber brand loyalty.

NAGRA Scout reliably identifies and classifies devices, giving consumers full visibility on everything connected in the home. This information is further used to validate new equipment connected to the network and assess its security level. Easy-to-follow security suggestions help consumers keep their devices and data safe. In addition to home network monitoring and content filtering, NAGRA Scout manages security alerts for illicit threats and delivers home network intelligence to service providers, like CANAL+ TELECOM, that can inform traffic shaping, improve customer service, and ensure optimal individualized experiences for consumers.

Telecom operators, like CANAL+ TELECOM, often support subscribers by providing the secure hub of the connected home. CANAL+ TELECOM’s home application, Ma Maison CANALBOX, developed in collaboration with Otodo, provides a value-added service that enables users to control any connected home device from a single application. Partnering with NAGRA Scout, the telco can offer differentiating new features combining security and automation to ensure an integrated and individual smart home experience.

Spherex

Global entertainment technology and data company Spherex is demonstrating its Spherexgreenlight at CES, which is its revolutionary expert-in-the-loop artificial intelligence (AI) and machine learning (ML) solution.

Spherexgreenlight opens borders for content. Using AI, the technology highlights culturally sensitive and objectionable scenes and predicts how a movie or TV show will be perceived by audiences worldwide. Spherexgreenlight ensures that studios, TV networks, and streamers reach the broadest audiences in each local market, comply with content regulations, and avoid censorship – all while protecting their brand reputations and identity – to maximize the value of content.

Led by CEO and co-founder Teresa Phillips, Spherex set out over a decade ago to develop the world’s first cultural playbook for Media & Entertainment. Through mining thousands of policy manuals, historical literature, local film/TV classifications, current affairs, judiciary decisions on sensitive topics (e.g., LGBTQ, sexual violence, self-harm, drug use, and more) in 100+ countries, Spherex has created an enterprise system for screening and annotating content.

While understanding content in video remains a high hurdle in AI, Spherex has implemented a multi-modal architecture that analyzes image/video, audio signals, and text as inputs to generate a unique fingerprint of a title. The content analysts at Spherex hand-curate these models based on specific pieces of content like subjects, objects, events, actions, sounds, words, tone, and more.

Spherex’s ML-based rules engine is the controller that determines how territory-specific rules are applied accurately to a given title’s cultural fingerprint. Blending AI and ML systems with a comprehensive understanding of the cultures and complexities present in the global regulatory environment, Spherex is future-proofing the media and entertainment industry while keeping up with the unprecedented international growth in video content, distribution, and consumption.

Dolby

Dolby announced it had partnered with multi-platinum, Grammy-winning band Imagine Dragons to present a private concert in Dolby Atmos at Dolby Live at Park MGM on Jan. 5 at 9 p.m. PT.

The concert will benefit Tyler Robinson Foundation (TRF), Imagine Dragons’ nonprofit organization dedicated to supporting families facing a pediatric cancer diagnosis, and over 35 local charities serving underserved communities in the Las Vegas area.

Imagine Dragons and Dolby are working with TRF to give away thousands of tickets to the team members, volunteers, and people these organizations serve so they can enjoy this special performance.

“Imagine Dragons’ special relationship with TRF moved us, which is why we wanted to find a way to give back to the community that welcomes us with open arms every year for CES, and that we now get to call home with Dolby Live,” said Todd Pendleton, SVP and CMO of Dolby Laboratories. “We can’t wait for guests to experience Imagine Dragons live in Dolby Atmos at Dolby Live for this special one-night show.”

Dolby and Park MGM will be surprising several fans on social media with free tickets to the show along with radio giveaways.

This marks Imagine Dragon’s first-ever, live performance in Dolby Atmos, which guests will be able to experience at one of the most technologically advanced performance installations in the world – Dolby Live at Park MGM.

Dolby Atmos is an immersive audio experience transforming how music is created and enjoyed. At Dolby Live at Park MGM, Dolby Atmos brings live performances to the next level by taking listeners inside the music to reveal details with unparalleled clarity and depth. Whether it’s hearing the layers of instruments move all around, catching the subtle breath a singer takes between lyrics, or being enveloped in a wave of melodies, nothing compares to hearing music live in Dolby Atmos.

Source: MESA M+E Daily

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NAB 2025 – Recognizing a Changed Industry

Another National Association of Broadcasters (NAB) conference is in the books, and if anything has changed in the media and entertainment industry, the conference and attendees were there to discuss it. From content evolution to changes in audience preferences to AI being everywhere, to trade uncertainty, it was a topic of conversation at NAB 2025. Official categories included: Artificial Intelligence, Cloud Virtualization, Creator Economy, Sports, and Streaming. If a general conclusion could be drawn, it’s that the legacy media business no longer cuts in today’s market, and to survive these new realities, businesses must rethink how they fit in.

Everything Is Changing

One of the biggest takeaways from NAB is the impact the creator economy is having on the industry. Dozens of panels focused on how individuals and small-team productions have upended traditional business models and economics, attracting large audiences from traditional producers while also siphoning away ad revenues and production contracts. Recognizing this trend, hundreds of exhibitors demonstrated how their products or services support all types of creators while also providing benefits to traditional media companies. The NAB also introduced two new initiatives to support this growing sector: the Creator Council and the Creator Lab.

In a keynote session, media cartographer Evan Shapiro highlighted the extent of the shift, pointing out that by 2027, the creator economy is expected to grow to half a trillion dollars, nearly doubling its value from last year ($250 million). Shapiro, recognizing the difference between the creator economy and influencers, cites their effectiveness in attracting and engaging large audiences without having to deal with “gatekeeper-led content.” His final point was that this new reality presents the M&E industry with two options: embrace it or get left behind.

Market and Regulatory Uncertainty

The current uncertainty in global trade markets and the impact of tariffs on product purchases has cast a significant chill on many exhibitors at NAB. This was especially true for those companies whose products were manufactured or included parts from impacted countries or markets (services are not yet subject to tariffs). Many companies encouraged customers to expedite purchases to take advantage of existing inventories and avoid significant cost increases as tariffs are implemented. Attendees and speakers also expressed concerns about how regulatory changes from the FCC and regulators in other countries might impact  children's television programming, the news distortion policy, technical rules (e.g., ATSC 3.0), and TV carriage rules (e.g., non-duplication, and syndicated exclusivity).

Monetization Evolves as Markets Evolve

The continued growth of OTT/FAST and the rapidly expanding creator economy means competition for eyeballs and ads will only become more intense. Evidence of this was on clear display during NAB 2025:

  • Traditional Broadcast Disruption: The rise of streaming services and changing viewer habits are challenging traditional broadcast models, necessitating a reimagining of revenue strategies.
  • Fragmented Audiences: The audience is increasingly fragmented across linear streaming, on-demand platforms, and traditional broadcast, making it more difficult for advertisers to reach consumers effectively.
  • Hybrid Models: Streaming services are increasingly adopting hybrid monetization models, such as AVOD or FAST, to supplement their subscription revenues.

A key component of all of these strategies is high-fidelity metadata. Without it, content marketing, search, and discovery, as well as contextual advertising, are much more difficult to achieve. With it, compliance, brand safety, and audience acceptance increase significantly.

AI Everywhere

Artificial Intelligence (AI) and its increasing impact on content creation, marketing, and virtual production were everywhere at NAB 2025. Nearly 300 exhibiting companies from around the world demonstrated products that included or were enhanced by AI across every phase of content production, marketing, advertising, and distribution. Among them, Spherex highlighted its flagship product, SpherexAI, and demonstrated how it is transforming global video compliance and contextual advertising through scene-level intelligence and cultural insight. It also facilitates ad placement where they will resonate and yield better audience results.

The takeaways from NAB 2025 paint a clear picture: the media and entertainment landscape is in constant flux, demanding adaptability and innovation for survival. The undeniable surge of the creator economy, coupled with market and regulatory uncertainties and the evolving monetization models driven by streaming, presents both challenges and opportunities for traditional and new players. Overlaying all of this is the pervasive influence of artificial intelligence, poised to reshape every facet of the industry.

Ultimately, NAB 2025 underscored a fundamental truth: standing still is no longer an option. The future of media and entertainment belongs to those who embrace change, leverage new technologies, and understand the shifting dynamics of both content creation and audience engagement.

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Experience SpherexAI at NAB 2025

Spherex is headed to Las Vegas for NAB 2025, and we’re bringing a bold new expansion of our flagship product, SpherexAI. Join us at Booth W1456 in the West Hall of the Las Vegas Convention Center from April 6-9 to see how we’re transforming contextual advertising with cultural and emotional intelligence.

As the media and advertising industries look to AI for smarter targeting and better brand alignment, SpherexAI offers a groundbreaking solution. By analyzing the cultural and emotional context of streaming video at the scene level, SpherexAI helps advertisers engage audiences more meaningfully while reducing the risk of misaligned or unsafe ad placements.

The Power of Scene-Level Intelligence

At the heart of our advertising innovation is SpherexAI’s multimodal platform, which processes thousands of signals from every frame—visuals, audio, dialogue, and on-screen text—to create rich metadata that understands the tone, mood, and narrative context of video content.

This deep, scene-level intelligence powers a range of capabilities that can dramatically improve campaign effectiveness:

  • Smarter Ad Targeting – Ads are delivered when viewers are most emotionally receptive, based on the precise tone and content of each scene.
  • Seamless Integration – Ads align with the story arc instead of disrupting it, increasing both engagement and recall.
  • Cultural Sensitivity at Scale – Our patented Cultural Knowledge Graph ensures ad messaging aligns with local customs, values, and regulations in over 200 countries and territories.
  • Enhanced Brand Safety – SpherexAI actively prevents ad placements in scenes that could be offensive, inappropriate, or reputationally risky.

Whether you're building a global campaign or fine-tuning messaging for a specific region, SpherexAI ensures your ads resonate with cultural nuance and emotional precision. Best of all, this isn’t vaporware; SpherexAI can be added to your workflows today!

See It In Action

At NAB 2025, we’ll be demoing how SpherexAI empowers advertisers to connect with audiences in powerful new ways—by aligning their campaigns with the content people are already emotionally invested in.

Book a Demo

Ready to experience the future of contextual advertising? Book a meeting with the Spherex team or drop by Booth W1456 during NAB 2025. We’re excited to show you how scene-level cultural intelligence can elevate your strategy and unlock deeper audience engagement.

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Teresa Phillips Joins OTT.X Buzz Panel to Celebrate Women’s History Month

On March 19, 2025, Spherex CEO Teresa Phillips joined a distinguished panel of female executives for the OTT.X BUZZ session—Women’s History Month Edition. This engaging discussion covered the latest trends in OTT and digital video while shedding light on women's unique experiences navigating the media and technology industries.

Moderated by Charlene Polite Corley, VP of Diverse Insights & Partnerships at Nielsen, the panel featured:

  • Teresa Phillips, Chief Executive Officer, Spherex
  • Jenn Chen, Chief Revenue Officer, JWP Connatix
  • Maria Hellström, Chief Executive Officer, Codemill
  • Laura Martin, Managing Director, Senior Internet & Media Analyst, Needham & Company
  • Paige Sherman, Director, Digital Video Programming, Shout! Studios

Teresa shared valuable insights on leadership, career development, and the evolving role of women in media. Reflecting on her journey in a male-dominated industry and the U.S. Army, she emphasized the impact of mentorship and sponsorship in shaping successful careers. Offering practical advice for early and mid-career professionals, Phillips highlighted the importance of adaptability, recognizing career pivot points, and leading through times of transition.

Key Takeaways from the Discussion Throughout the session, the panelists tackled some of the most pertinent topics facing women and the industry today, including:

  • Work-Life Balance and Corporate Support: The panel explored how companies can better support caregivers, highlighting policies that enable a more inclusive and sustainable work environment.
  • The Rapid Evolution of AI in Media: With AI and automation playing an increasingly central role in content distribution, Phillips emphasized Spherex’s role in leveraging AI-powered tools to help studios navigate cultural and regulatory landscapes worldwide.
  • Leadership in a Shifting Industry: The panelists reflected on how they’ve adapted to significant industry changes, from the rise of FAST channels to the increasing role of data-driven decision-making in content strategy.
  • Challenges and Opportunities for Women in Media: The discussion tackled informal workplace dynamics that impact women’s success, from navigating corporate culture to advocating for fair representation at leadership levels.
  • Balancing Authenticity and Career Growth: Panelists shared insights on maintaining personal authenticity while adapting to workplace expectations in male-dominated spaces.

Looking Ahead: Women Driving Industry Innovation -The panelists reinforced that women’s leadership in M&E is not just necessary—it’s a competitive advantage. As AI, automation, and viewer behaviors evolve, diverse leadership will play a pivotal role in shaping the future of streaming.

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